D for Devasuram

Mangalaserry Neelakandan, ah the name evokes so many memories. This was the movie that established Mohanlal’s mass appeal for another generation of movie-lovers. With a story by Ranjith based on a real life character called Mullasserry Rajagopalan. The story examines the concept of ‘karma’ the fruits of our actions in an entertaining manner.

The movie was directed by acclaimed movie-maker IV Sasi someone who has given hits with both the Mohanlal and Mammootty. The tale is set in a Kerala village and traces the rivalry of two well-off heirs of strong independent and rich clans. Mangalaserry Neelakandan played by Mohanlal and Mundakkal Shekaran played by Napoleon. Neelakandan whiles away his time and money in idle pursuits of alcohol, some music, some dance and general fun; while his estate is managed by Warrier played by Innocent in a really well done role.

In a skirmish Neelakandan’s friend kills Shekaran’s uncle accidentally and Shekaran plots his revenge aiming to destroy Neelakandan.

In the interim, the romantic interlude arrives in the form of Bhanumathi played by Revathi – a classical dancer. In a burst of male ego, Neelakandan uses his influence to force Bhanumathi to dance in his house instead of letting her perform at the temple festival. This is deemed an insult as a dance dedicated to the gods ends up as a performance for a demon-like man. Bhanumathi curses Neelakandan at the end of the performance and walks away in tears. This mellows Neelakandan and he attempts to change and helps Bhanu’s family and tries to convince her to resume dancing again. But Bhanu steadfastly refuses to do so.

There is a moment of epiphany, when Neelakandan’s widowed mother confesses that in reality he is not the progeny of the hailed Managalserry tharavad but he is a bastard son, born of another man. As Neelakandan’s world crumbles around him he realises that all his bravado, pumped up super-arrogant male ego and wealth is the result of a lie. The viewer slowly sees a gentler and more humane side of Neelakandan and Bhanu also realises that an iota of goodness and humanity exists in the demon. One night Shekaran and his gang attack Neelakandan and injure him seriously causing grievous injury to Neelakandan’s legs.

Bhanu realises that her curse has proved true and is ridden by guilt. With care, love and Ayurvedic treatment she nurses Neelakandan back to good health and invariably falls in love with him. Neelakandan tries to distance himself from Bhanu considering her future and even attempts to arrange a dance performance for her in Delhi. But as things pan out – she professes her love for him and with the blessings of Warrier their wedding is arranged.

All this while Shekaran continues to simmer in anger and plans to once again wreak havoc in the life of Neelakandan by insulting him in front of the whole village. He arranges for Bhanu to be abducted and kept in captivity and then at the temple festival begins beating Neelakandan he keeps taunting him telling if he retaliates his men would kill Bhanu. Blow after blow rains on Neelakandan and he bears the pain fearing for the love of his life.

Friends to the rescue:
Neelakandan’s friends rescue Bhanu and as this message reaches Neelakandan, the demon within him is unleashed and a brutal man-to-man hand-to-hand combat begins between the two. Eventually in a powerful climax Neelakandan picks up a ceremonial sword and cuts off Shekaran’s right hand; proclaiming – ‘Enough is enough Shekaran, I want to live in peace and for that I am taking this hand of yours.’

With lyrics by Girish Puttencherry, music by MG Radhakrishnan and a rousing background score by SP Venkitesh the soundtrack was exceptional. Angopangan sung by KS Chitra, Sooryakireedam by MG Sreekumar and Sree Paadam by MG Sreekumar and KS Chitra evoke a lot of emotions.

The movie was a blockbuster and set the benchmark for Mohanlal’s larger than life image. Some years later a sequel titled ‘Ravanaprabhu’ was released with MOhanlal in a double-role as father and son and retained the core cast of Devasuram. Ravana Prabhu also did good business with a melodious number – Ariyaadhe, Ariyaadhe’ picturised on Mohanlal and Vasundhara Das.

I present the climax of the movie available on YouTube – power-packed finish! Watch the full movie, you will not be disappointed!



  1. Yet again, another all time favorite movie of mine, another nugget from the gold mine that Mohanlal’s career has to offer.

    Power packed performances from Mohanlal, Innocent, Revathi and surprisingly Napoleon as well make this very commercial movie quite a memorable one 🙂


    1. Yes Jairam sir the movie satisfied all aspects and was a trendsetter of sorts to define the larger than life template of Mohanlal’s subsequent movies.

      Awaiting part-3 of your doctor’s tale 🙂


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