The Keeper of Lost Causes – Movie Review

Title–The Keeper of Lost Causes

Language–Danish

Original Title-Kvinden i buret

Genre – Crime Thriller / Police Procedural

Directed by–Mikkel Nørgaard

Written by–Jussi Adler-Olsen

Screenplay by–Nikolaj Arcel

Starring– Nikolaj Lie Kaas, Fares Fares, Sonja Richter, Søren Pilmark.

Release-2013

 

“The Keeper of Lost Causes” is the first movie in the Danish film trilogy titled ‘Department Q’. Based on the best-selling books by Jussi Adler-Olsen the movie is a throwback to a proper investigative police-procedural instead of the slam-bang-chase-two-sex scenes formula that Hollywood seems to have perfected. A routine investigation goes horribly wrong with two police officers shot dead and our protagonist injured badly and returning to duty after recuperation. The top-cop speaks to our returning cop stating that he will no longer be a part of Homicide squad and is being assigned to a new department – Department Q, which will dig through old cases that have not been closed and sort them out appropriately.

Left without an option – Carl Morck joins Department Q, which has Assad a Muslim cop who is jovial and focused and enjoys his work. The camaraderie between the two is brought out well as the movie progresses. Carl digs out a five-year old case of a young lady politician, Merete who had gone missing when on a ferry trip with her mentally challenged brother Uffe.

Carl and Assad painstakingly rebuild the case looking for answers, the movie builds its tension gradually and uncovers dark secrets and presents a villain that’s menacing and truly diabolical. Was Merete killed? Did she commit suicide as stated in the case=report? What is Uffe hiding? To find out all the answers, watch the movie.

Excellent adaptation of the book and full credit to the director for a job well done!

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Private India – Blogadda Book Reviews Program

Title: Private India
Author(s): James Patterson, Ashwin Sanghi
Language: English
Genre: Fiction/Thriller/Crime
Publisher: Arrow/Random House India, Year Published: 2014 July
Pages: 480
ISBN-13: 9780099586395 , ISBN-10: 0099586398

I first heard that Ashwin Sanghi was working with James Patterson on a novel set in India, at the beginning of this year, at ‘The Hindu Lit for Life Literature Festival’ in Chennai. The announcement had me excited because JP is a master-writer spinning plot upon plot and is I believe among the rare few people who does not suffer from Writer’s Block. The prolific output of work is testimony to the statement above 🙂

JP surprisingly was a recent entrant in my reading list; read one of his books about three years back and then a friend gave me a full bunch of his ebooks with about 15 or 17 of his works and it was an absolute blast reading his books.

Ashwin Sanghi has won the title of India’s Dan Brown and his books have found success with the steady mix of history, mythology, science and politics. I enjoyed ‘Chanakya’s Chant’ and look forward to reading more of his solo-efforts.

Now let me tell you a bit about my reading tastes – I am a bit crazy about serial killers and murder mysteries. There was a time when I hoped I would go on to do an MPhil and a PhD and my thesis would be ‘Serial Killers in Fiction and Reality’. Well fate had other plans and all I do is read books and write reviews when time permits. Jo Nesbo has been the single biggest novelist who has managed to charm his way into the hearts of readers with his Harry Hole series and his translator deserves equal merit.

Now moving back to ‘Private India’:

In Mumbai, women are being strangled and killed with a yellow scarf. Strange motifs and symbols are being placed next to their corpses. Private India, a team of super exclusive private investigators is brought into action and headed by Santosh Wagh, ex RAW, the team of Nisha Gandhe (ex Mumbai CID), Hari Padhi (tech wizard) and Mubeen (forensic expert) take it upon themselves to try and find the killer before he strikes again.

Step-by-step the case unravels, the book is paced fast and lots of secrets tumble out. I do not want to add too many details as this would make reading the book boring. The book is a great read for those unfamiliar with the works of JP. To seasoned readers of books by JP and other crime-thriller masters; this book is a bit of a letdown.

It is evident that the descriptions of Mumbai references to the various forms of the Goddess and the Navrathri are by Ashwin Sanghi – but somewhere deep down I felt this book was going like a bit of a tour guide for international readers. Somewhere there seems to be a disconnect, I am just not able to put it clearly, perhaps I am wrong and it is my personal viewpoint. May be if I had not read any of JP’s books before I would have waxed eloquent and offered five stars. Read some of JP’s earlier books and you will feel the difference.

Mahesh’s Rating: Three stars out of five for this thriller.

This review is a part of the biggest Book Review Program for Indian Bloggers. Participate now to get free books!

C for Chanakyan

Chanakyan is a revisionist revenge saga!

Not many people realise that Kamal Hassan has also acted in a fair number of Malayalam movies as well.

We have seen many one-film wonders who disappoint us with their subsequent efforts. Or they raise the bar so high with their first effort that everything else that follows pales in comparison. TK Rajeev Kumar knows this first-hand, his first film Chanakyan starring Kamal, Thilakan, Jayaram and the heart-breakingly beautiful Urmilla Matondkar who would go on to sway the hearts of many a teen and man in Rangeela’s songs!

Chanakyan is a revisionist revenge saga if I may use the phrase wherein Johnson a music teacher played by Kamal falls in love with Renu played by Urmilla. Renu is a politician’s daughter – Madhava Menon – played with finesse by Thilakan. The over-protective father attempts to dissuade the young musician’s love for his daughter; but things go awry as Menon ensures that Johnson’s family – aged mother and sisters are arrested in a flesh-trade/prostitution case. In humiliation the family commits suicide and Johnson is beaten and left to die on the railway tracks.

Johnson then returns after a number of years. In the interim Menon has become a highly successful and respected leader and is assured of a victory in the upcoming elections.

Johnson befriends Jayaram a mimicry artiste and uses the latter’s mimicry skills to destroy Menon’s career and credibility. how he does this is something that has to be seen to believed. This is one of the few movies which I feel definitely needs a reboot for the times. If Kamal plays Menon’s role in the reboot it would be icing on the cake!

Eventually a standoff ensues wherein Menon shoots Johnson in public view and destroys all his chances of political victory!

Noted for Jayaram’s mimicry, Thilakan’s calm brutality, Kamal in a uniquely restrained role, innovative plot-structure and a glimpse of Urmilla – the young starlet who would go on to blossom into a successful actress. Sadly she has been relegated to a reality television judge roles now!

A bit slow by today’s standards of action-paced thrillers; but a good watch on an idle evening!