2020 – The Rise of the OTT Platforms

The Chinese Virus led to the national lockdown and cinema halls were also a shut down with other establishments. For folks used to the big screen, the sheer joy of cheering their favourite stars on screen with other members of the audience, and eating the over-priced pop-corn, nachos, and other goodies came to a grinding halt.

OTT platforms cashed in on this scenario as producers had no option but to release their movies on these platforms and try to make up for the losses incurred. Unfortunately most of the movies that were celebrated and touted as big-ticket movies flopped if we can still use the term for an OTT release. “Gulabo Sitabo”, “Penguin”, “Ponmagal Vandhal”, “Coolie No.1”, “Nishabdham”, “Sufiyum Sujathaiyum”. All these movies tanked badly. It took “Soorarai Potru” helmed by Sudha Kongara and starring Suriya and Aparna that broke the ugly chain and was appreciated by everyone. “Mookuthi Amman” with RJ Balaji, Nayanthara, and Urvashi on Disney Hotstar had a good run too. It showed how godmen con the gullible public and mixed humour and awareness in good measure. Urvashi was the stand-out performer again and her scenes evoked a lot of laughter. She also had a good role in the Suriya-starrer.

“Paava Kadhaigal” and “Putham Pudhu Kaalai” brought the anthology concept to Tamil cinema and Kalidas Jayaram was the common factor in both the anthologies. His role as a transgender person who sacrifices his love for the sake of his sister brought out the emotions really well. Vetrimaran took a real incident that occurred in rural Tamil Nadu and fleshed it out on screen with pain and violence as Prakash Raj and Sai Pallavi acted out the roles with aplomb and brilliance.

“Taish” directed by Bejoy Nambiar and released on Zee5 had an interesting story-line and unfortunately it was “Ludo” with a multi-character and multi-plot story that received more acclaim. Netflix’s marketing bandwagon trumped Zee5 left, right, and center in this regard.

“Mirzapur 2” on Amazon Prime was again received well; unfortunately I have not seen either season, somehow just could not connect or fathom the mindless violence.

Much earlier in the year it was “Afsos” on Amazon Prime that caught my attention with its interesting premise. The elixir of life, a failed author looking to commit suicide, an ashram in the hills where multiple sadhus are killed, a mysterious assassin lady, and a bunch of other motley characters made this a memorable watch. Gulshan Devaiah and Jamie Alter were fun and it was Heeba Shah as the assassin who stole the show. This is my favourite watch of the year for the way it was written, scripted, directed, and performed. If you have not seen it yet, do watch.

“LockUp” was the surprise winner for me in terms of Tamil cinema. With Vaibhav, Venkat Prabhu, Eeshwari Rao, and others; the movie examines the murder of a senior cop, the death of a maidswoman and how the threads get connected. The movie proved that Vaibhav can act given a good role. Venkat Prabhu sometimes one feels got a raw deal in Kollywood and tasting success as a director led him to carve another path.

“Ka Pae Ranasingham” won rave reviews, unfortunately I have not seen the movie.

“Chintu ka Birthday” was a heartwarming tale that sought to find love and peace from a child’s view in a world filled with violence. Vinay Pathak, Seema Pahwa, Thillothama Shome, and the young kid playing Chintu deserve accolades.

“Forensic” and “Anjaam Paathira” were viewed in the theatre before the lockdown and both movies were fairly engaging.

Over the course of this year I decided to cut down on expenses, this led me to not renew my Amazon Prime or Zee 5 subscriptions. Disney Hotstar basic subscription will end later next year and I may or may not renew the subscription.

For me the OTT of the year purely on the basis of content has to be Sony LIV. Their interface is poor and the Android app is an absolute joke. But sheer depth of content makes it the winner.

“Scam 1992” – Pratik Gandhi a struggling Gujarati stage actor became the darling of Bollywood. Do remember he has acted in some Gujarati movies before. With “Scam 1992” – director Hansal Mehta created a brilliant saga of Harshad Mehta with an all-round ensemble cast that hit the sweet spot. The music – what do I say – it has become a popular ringtone.

“Risk hai toh Ishq hai” is my dialogue of the year 🙂

The groovy and addictive theme song / title track.

“Welcome Home” – This is a scary, violent movie that is based on a true story and has riveting performances by all the actors. Kashmira Irani, Shashi Bhushan, Boloram Das are the lead actors in this movie. The violence can be very traumatic and viewer discretion is advised.

“A Simple Murder” mixed humour and crime to present a black comedy that is not unlike the popular movies of the Guy Ritchie club. An ensemble cast that again works well and Priya Anand gets a meaty role which she completely owns as she makes the men in her life go mad about her. Again bungling contract killers play a major role in the story and one really feels for the poor hero Zeeshan who suffers. Will this get renewed for another season perhaps with a different set of characters and plot-line is something to be seen.

Which shows did you enjoy this year? Share your thoughts. Happy viewing. Stay safe, stay happy. God bless.

“Super Deluxe” –The Butterfly Effect Meets Crash in a Heady Cocktail of Emotions


When Thiagarajan Kumararaja made Aranya Kandam about decade back he struggled to get the censors clear it. Acclaimed in cine-fests abroad, it was a struggle to release it theatrically and the audience could not comprehend it; though the treatment got the critics raving. Over the next few years the movie achieved cult-classic fame and is one of the most torrented Tamil films. Consider it as a badge of honour!

In this intervening period of eight years, we have heard several rumours but nothing was confirmed. TK had a story/screenplay credit for GVM’s “Yennai Arindhal”. Roughly a year ago there was confirmed news that he was working on a multi-starrer and we kept getting some bits and pieces of information about the project. But when the actual trailer arrived, we were shocked to see Vijay Sethupathi playing a transgender character, in his avatar he looks surprisingly like Sharath Kumar from the first or was it the second movie in the Kanchana franchise.

The movie grabs your attention from the first frame. It seems to have been shot in the narrow lanes of the Mint area of Madras and the highway stretching towards Ennore. We see a motley collection of characters, a bunch of teens looking to watch a porn movie at home, a kid and his extended family waiting for the man of the house to return from Mumbai, a beautiful young woman preparing for a romantic rendezvous with her ex-lover. How these individual tales merge is the cinematic experience that’s ‘Super Deluxe’.

The movie has a lot of darkness or rather a yellow-hued shot treatment throughout, even the scees in daylight, do not seem to be filled with warmth and light. One kid seems to spot his mother going by the mole on the shoulder of the lady in the porn movie and shatters the screen of the LCD TV and runs out in anger to stab his mother but instead stabs himself as he slips and falls. There are a bunch of people waiting for a prayer-healer/faith-healer ‘Arputham’ who was saved in the Tsunami disaster that took a lakh of people to their death, though he alone survived a miracle-man! The young woman Vembu’s sexual escapade ends in the death of her ex-lover and she is forced to hide the body in the refrigerator. Her husband Mughilan/Mughil returns and is gob-smacked by the calm confession of his wife and they plan to dispose the body. The kids who have lost the TV need to replace it with another TV and seek to find a way to make a quick buck to finance their project. The family waiting for the long-missing man from Mumbai gets the shock of their lives when he returns as a woman. He has undergone a gender-change operation.

The kid who accidentally stabs himself is rushed to the hospital and money is needed for the surgery. The kid’s mother is forced to contact Arputham whose real name is Dhanashekar and is the boy’s father. Arputham/DS is confused and terrified as he prays to his Andavar to save his boy and takes the boy to his rundown flat and smears water on the wound and prays for deliverance. The local area counselor is brought in to take the boy back to the hospital for treatment. Money, money is the key and everyone is helpless in trying to find money.

The little boy is fascinated by his father who has returned as a woman and takes him along to school to prove to everyone that he is not a ‘test-tube baby’.  A constable spots them and considers that a transgender has kidnapped a boy and they are taken to the police station. The duty inspector a depraved and villainous chap forces himself on Shilpa the’ new woman’.

I have already revealed a fair bit of the story. No more spoilers. Does the boy manage to survive the stabbing? How does the young couple dispose the corpse? What happens to Shilpa and the kid? DO the teens find a way to make money to buy a new TV? Does Arputham/DS get money to save his son? Or does Andavar bless and cure his son without surgery?

Plus there is an interesting closing credits sequence that involves an acclaimed novelist spouting out philosophy, life, and all about creation and desire then the disco gem from the eighties plays.

For answers to all your questions and an ‘extraordinary twist’ that is out of this world, please do go watch Super Deluxe in the theatre. This is a cinematic experience that needs to be celebrated and will go down in the annals of Indian cinema as a modern classic.


Varathan – The Revenge of the Outsider

Movie Title – Varathan

Language – Malayalam

Year of Release – 2018

Principal Star Cast – Fahadh Faasil, Aishwarya Lekshmy, Dileesh Pothan, Sharaf U Dheen.

Genre – Thriller

Director – Amal Neerad

Script – Sarfu and Suhas

Music – Sushin Shyam

Cinematography – Littil Swayamp

Revenge tales have been a staple of Malayalam cinema. From gems like Thazhvaram and Season, somewhere Malayalam cinema began to ape Tamizh and Telugu cinema and at a point the differences were negligible. Stars and fans associations made merry as directors and script-writers added bombastic dialogues, with ample moustache twirling, loud music scores, and unbelievable stunts to draw loud applause from the masses.

Fahadh has been the poster boy of a new wave of Malayalam cinema that commenced with ‘Chappa Kurishu’ that was pretty much a copy of a Korean hit. Movie after movie he has carefully chosen scripts that play to his strengths. With each movie Fahadh has proven himself as a true chameleon who can play any role with ease. Aishwarya Lekshmi is just a few movies old, but boy oh boy, she seems to fill the screen with her magnetic presence and I really hope she gets roles of value.

Amal Neerad has crafted movies that are heavy on style, cinematography, synchronized stunts, and engrossing musical scores. In ‘Varathan’ translates to ‘The Outsider’ – he sets up an engrossing closed house thriller akin to Sam Peckinpah’s ‘Straw Dogs’, which was violent, brutal, and left audiences disturbed when it came out in the 70s.

Aby and Priya are a young couple in Dubai and the recession leads to Aby and Priya returning to India after Priya’s pregnancy is terminated as the gynaec says there’s no heartbeat in the foetus. Aby decides to focus on setting up a design startup in India while Priya utilizes the work from home option.

They move to an idylic cottage at the 18th mile stop – a hilly terrain in Kerala. It’s essentially an old-village that’s pre-dominantly Christian with its church and a close-knit community of rich plantation owners and commoners.

The ‘peeping tom’ nature of the frustrated, sexed-up Indian male is brought out in the characters that torment Priya, essentially a group of folks who were her classmates at school. There’s a creepy chap who runs away with Priya’s inner-wear and there’s a truly disturbing moment wherein he caresses the brassiere and pantyhose that for some pathetic reason generated whistles in the jam-packed theatre where I saw the movie. Goes to show where we are headed as a larger collective 😦

There’s another sequence where another man and woman are heckled and booed away by the villagers as they were not husband and wife. It sets up the tone for the movie along with a cockroach that Priya stomps away to death earlier in the movie.

A sub-plot of a budding friendship between a young boy from a poor family and the local contractor’s daughter has a significant impact in the third act of the movie. Before that the trio of Johnny, Jithin, and Josey continue to torture Priya. They peep at her in the bathroom, they look at her in her bedroom when she is asleep, they set up a mobile phone to shoot videos of her in the bathroom.

A flash point arises when Aby heads to Kottayam for a day and Priay decides to work from the library at the convent. The evil trio run her over by striking her Kinetic Honda. She tumbles over and is hurt and dazed. The three take her in the jeep and leave her in the hospital. We later learn the three have molested her in the moving jeep when she speaks in anguish with Aby later. She says she no longer feels safe and this infuriates Aby, who is possessed by castrated rage as he keeps saying – “we will report this to the police”.

The young boy and his mother seek shelter at Aby and Priya’s abode as they are chased by the contractor’s family. Then starts the final fireworks as a group of about seven to eight men seek to flush out the occupants of the house. How Aby fights the villains is to be seen to be believed and is truly intelligent film-making, though one wonders why he does not take out the barreled rifle and uses it.

The only blemish that one may cite is Priya’s pain and torture at the hands of the villains seems to have lost its focus and Aby seems to be too convincingly transition into a commando cum special-ops warrior in one extended sequence of explosions, knife stabs, blows to all parts of the body delivered with saucepans and shootouts.

A key advantage for the movie is its brief running time and intelligent structuring of the incidents that culminate in the violent showdown akin to a shootout in the Westerns of an era gone by. Two songs that play in the movie are good to hear and view – but honestly once you are out of the hall they do not actually stick in the mind.

The true revelation for the audience is undoubtedly Sharaf. This is the chap who plays the wealthy flirt in ‘Premam’. His turn as the villain is sue to fetch him some ‘Negative Actor/Villain Awards’.

A full paisa-vasool entertainer that’s been made intelligently. Go for it, you won’t be disappointed.

Velaikkaran(2017) – The Worker – A Test of Patience

The glowing reviews by a lot of my friends, senior reviewers, and general hype created around the movie made me think this was going to be a cracker of a film. In the case of ‘Aruvi’ there were polarizing views but here everyone was praising the movie.

Year-ends are usually a day to catch up with friends and watch a movie. So legendary Instagrammer and travel junkie Deepanarayanan – chaps it is a guy not a girl named Deepa Narayanan – before you get any ideas 🙂 sent a booking SMS.

Reached the theatre after an adventurous bike-ride as my charioteer – Krishnan – BP to me being Arjuna (mudiyalai yaenaake kandraviya iruuku ) as I held my phone to follow Google Maps pillion-riding through a relatively free road to reach Abirami Mega Mall.

Dr. Sai the Dr. Strange of our group a neuro-surgeon with a mind-blowing humour sense -and Prince Deepu were humming to a ‘galeej’ number tuned by Annirudh that was a cacophonic assault to the auditory nerves.

So Vyasarpadi and its surroundings is the gangland-badland of Chennai city controlled by Kashi (Prakash Raj) – Arivu (Shivakarthikeyan) sets up a community radio highlighting the happenings in the community and aims to help people come out of a life of crime.

As a web of incidents unfold he ends up joining Saffron a food consumables leader as a sales executive. The interview sequence is well done. Aadhi/Adhiban Madhav played by Fahadh Faasil does a good job, though I really think he deserved a better deal.

The movie seeks to highlight the high level of corruption and malpractices in the packaged foods industry. Essentially we see how over a course of three months a lady gets cancer by eating junk foods. A lot of twists and turns abound as we see see how the hero turns saviour and victor.

I yawned about eight times during the movie – dialogue, dialogue dull dialogue and characters that made me laugh (I am turning cynical perhaps). Marketing and Sales lessons from MBA class get an outlet on the big screen. Throw in red flags, throw in some Communist / pseudo-Communist hogwash, get people to flash their mobile flashlights and hero and heroine hug each other. Plus Nayanthara playing Mrinalinee is reduced to second fiddle here. Too many characters seem to have got a raw deal here in this movie. Wikipedia says there’s a 195 minutes Director’s Cut. God save us!


The Keeper of Lost Causes – Movie Review

Title–The Keeper of Lost Causes


Original Title-Kvinden i buret

Genre – Crime Thriller / Police Procedural

Directed by–Mikkel Nørgaard

Written by–Jussi Adler-Olsen

Screenplay by–Nikolaj Arcel

Starring– Nikolaj Lie Kaas, Fares Fares, Sonja Richter, Søren Pilmark.



“The Keeper of Lost Causes” is the first movie in the Danish film trilogy titled ‘Department Q’. Based on the best-selling books by Jussi Adler-Olsen the movie is a throwback to a proper investigative police-procedural instead of the slam-bang-chase-two-sex scenes formula that Hollywood seems to have perfected. A routine investigation goes horribly wrong with two police officers shot dead and our protagonist injured badly and returning to duty after recuperation. The top-cop speaks to our returning cop stating that he will no longer be a part of Homicide squad and is being assigned to a new department – Department Q, which will dig through old cases that have not been closed and sort them out appropriately.

Left without an option – Carl Morck joins Department Q, which has Assad a Muslim cop who is jovial and focused and enjoys his work. The camaraderie between the two is brought out well as the movie progresses. Carl digs out a five-year old case of a young lady politician, Merete who had gone missing when on a ferry trip with her mentally challenged brother Uffe.

Carl and Assad painstakingly rebuild the case looking for answers, the movie builds its tension gradually and uncovers dark secrets and presents a villain that’s menacing and truly diabolical. Was Merete killed? Did she commit suicide as stated in the case=report? What is Uffe hiding? To find out all the answers, watch the movie.

Excellent adaptation of the book and full credit to the director for a job well done!


Trapped is a brilliant exposition of how a movie can be made at a single location of sorts with just one principal human character. A review or an analysis will not do justice to the magic, the fears, the pain, hope and redemption and torture that unfolds on screen as Rajkumar Rao nails the role of the man trapped in a high-rise building in Mumbai.

At a deeper level we are all souls trapped in this sea of humanity, seeking individual identities in the vast scheme of things.

Vikramaditya Motwane continues to delight and each of his three films has been a delight to watch.

Go for the movie – 

At a time when stars and studios stuff drivel down our throats, this is a refreshing movie. Tip – Don’t eat stuff when you are watching or have an hour’s gap between your meal and watching the movie!

The Accountant – Ben Affleck Nails It!!!

It is not quite often that we in India get a chance to watch a movie on the big screen before it releases in the UK. Rarely do star-vehicles get a release here before the USA or the European release.

As “Inferno” continues the Robert Langdon saga, through various circumstances, I saw a movie on the big-screen on Day-1 of release that too first show in the participating theatre after ages. I had a couple of hours to kill before I could visit my doctor friend for advice on my mother’s health reports and I took a chance and strolled into the theatre. As usual, the show was going to take some more time to start and the ticket-handler at the counter said – “Relax sir”. Apparently the earlier movie was yet to end; height of advertisements being played to the audience, methinks 🙂

“The Accountant” is an action thriller film, directed by Gavin O’Connor, written by Bill Dubuque and starring Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jeffrey Tambor and John Lithgow. Ben Affleck plays the eponymous accountant. It is tough to write a review for movies like these because even adding a bit of the plot will reveal away too many surprises.

Sample this — a start that sees a camera following a person entering a shoot-out spot with dead bodies piled up. Then the frames shift to a school for special children, then we see an accountant talking to a couple his clients on saving tax. Then we see the scene shifting to Washington where the director of the Treasury Services speaks to an analyst. A lot of things happen. Then there are flashback sequences of an autistic kid, his younger brother, their parents a teacher and an army officer.

A lot is happening. We have Ben getting instructions from a British voice via – mobile – instructing him on his next assignment at at prosthetics manufacturing mega-company. Mystery deepens, Ben befriends a junior accountant there who had discovered the original anomaly in the accounts. The anomaly is found, then deaths occur, we have a group of hired killers operating as well. In tandem, the investigators from the FBI and the Treasury are on the tracks of Ben as well.

Who are the mysterious killers, what secrets does Ben hide, why is Ben being investigated? The movie ties down all the loose ends admirably. Do watch it.

Ben is moving from strength to strength, have always admired him for his directorial skills. Here he gives a fair demo of his acting skills.

Oppam — Movie Review

Oppam is a return to form of sorts for Priyadarshan and Mohanlal a director-actor combo that has given Malayalam cinema lots of memories to treasure.

A long, long time back a movie called “Yodha” came out. It had Lalettan playing Ashokan who travels to Nepal and becomes the protector of a Rinpoche – Holy incarnation of the Buddha. There is a section of the movie wherein he is rendered blind by the villains and Mohanlal becomes a blind warrior relying on his hearing and martial arts skills to destroy the villains.

In Oppam, we get a sense of deja vu , all over again, but in a good way. After a fair amount of debacles in recent years and Priyadarshan choosing to remake movies in Hindi with varying degrees of recycled success; this is a decent attempt.

In Oppam, Lalettan plays a visually challenged lift-operator/care-taker who witnesses the murder of a retired judge played by Nedumudi Venu. He is accused of the murder and the movie goes on in how he proves to the police that he is not the murderer.

Samuthirakanni is in a purple patch of sorts and getting some real good roles. Here he plays Vasu a mentally deranged serial killer of sorts. There is not too much of suspense as the audience learns that he is the killer and the confrontation scenes between Lal and SK are well done.

There is a little girl as well who becomes the target of SK and how Lal saves the day is what the movie is all about. Unwanted drama towards the end with SK trying to ape Jack Nicholson from “The Shining” with an axe in tow. A fair bit of loopholes here and there in the plot and Vimala Raman in no way looks like a maid! Hopeless casting there!!!

Songs nothing remains in memory!! Mammukoya and Chemban Vinod have a good bit of comedy with a play on the blind man not witnessing/witnessing the murder!

One-time watch — Good fun!



S for Sargam and Spadikam

I am rushing to finish this as I am starved for time; will keep the movie-descriptions as precise and concise as possible.

‘Sargam’ ‘Tune/Rhythm’ was directed by Hariharan and had a relatively new starcast – Rambha (unrecognisable from the glamour-queen that she would turn into), Vineeth, Manoj K. Jayan, Nedumidi Venu and others.

Kuttan Thampuran played by Manoj is the son of Subhadra and Kochaniyan Thampuran he is an epileptic, who often has violent fits, plus he has a roguish streak to him and is dreaded by his school-mates. Haridas played by Vineeth is his only friend who tags along with the Thampuran. As the years turn, both the boys have grown into unsuccessful youth, the Kuttan Thampuran behaves eccentrically and chews tobacco, smokes and drinks on the sly. Hari is marked a failure by his father – Bhagavathar a noted classical singer.

Hari and Thankamani a student of the Bhagavathar are in love, but Kuttan’s wedding is fixed with Thankamani as a means to cure Thampuran of his illnesses and bestow a sense of responsibility in him. Thampuran is unaware of Hari and Thankamani’s love for each other. In the interim during a temple festival, Hari breaks into a song and gains prominence as a singer. Subhadra Thampurati speaks to Hari and requests him to leave the village for the sake of her own son his dear friend Kuttan. With a heavy heart, but under the burden of friendship and for all the help that the Thampuran’s family had provided over all these years – Hari leaves the village.

The wedding takes place and Kuttan is devastated when he realises he has been married to the girl who was loved by his own friend whom he thought as his own younger brother. In absolute disgust and depression Kuttan commits suicide.

The clock turns yet again – many years later we see a bearded hari returning to the illam on Subhadra Amma’s request; she is on her death-bed – she wants to meet Hari and apologise for her mistakes. Hari sees Thankamani and is in shock as she has become paralysed after suffering the tragedies of a failed marriage and her husband’s suicide.

Hari sings – ‘Raga Sudha Rasa…’ – the movie ends on a positive note as we see signs of Thankamani attempting to sing along with Hari – the audience is made to believe that good things lie in store for Hari and Thankamani.

A musical gem – great performances and a lovely tale of friendship, sacrifice, love lost and found, redemption and salvation. A must-watch!

‘Spadikam’- Prism

Written and directed by Bhadran with a stellar starcast including Thilakan, Mohanlal, Urvashi, Silk Smitha, Nedumudi Venu and others; this was one of the early movies that created the larger than life roguish do-gooder image that Mohanlal would perfect years later in Narasimham, Ravana-Prabhu, Naran and other movies.

The movie is the tale of a strict disciplinarian father Chacko a headmaster in the village-school who punishes students who can’t comprehend Mathematics. His own son is a failure at Maths but has a creative mind and devises inventions like a radio-receiver. In a tragic twist based on his request the language-master played by Venu gives poor grades to the young boy – Thomas. Thomas feels he has been betrayed by the one person whom he loved his language teacher Ravunni master – he runs away in anguish!

He returns a changed man 14 years later as Aadu Thoma a stone-quarry owner/contractor, a lorry-driver and a rowdy; the other goons fear him, the law pursues him; but he craves for this family’s love. A romantic twist in the form of urvashi – ravunni master’s daughter is also there. Though the movie won more fans for the song picturised on Mohanlal and Silk Smitha!

Like a Roman tragedy – Chacko realises the follies of his past and seeks pardon from his son and dies!

How this happens? Why does the law pursue Aadu Thoma? Why does he bash up some goons and corrupt police-officers?

Watch the movie for answers.

A riveting emotional saga with love, affection, family-sentiments, good fights and ear-catching songs – Spadikam was a mass-hit!!!!!

G for Godfather

OK hold on to your socks not the Mario Puzo gem brought to life by Marlon Brando – that’s another cup of green tea for another pleasant day!

OK hold on to your socks not the Mario Puzo gem brought to life by Marlon Brando – that’s another cup of green tea for another pleasant day!

Today we look at on of the best Malayalam comedies that was remade to great success in multiple Indian languages. The movie is ‘Godfather’ written and directed by the magic-duo of Siddique-Lal. Look at the sheer acting power of the cast below:

N. N. Pillai – Anjooran
Mukesh – Ramabhadran
Kanaka – Malu
Jagadish – Mayin Kutty
Innocent – Swaminathan
Thilakan – Balaraman
Philomina – Achamma
Siddique – Veerabhadran
K. P. A. C. Lalitha – Kochammini
Bheeman Raghu – Premachandran

The movie is basically the tale of two rich families, one led by an old man Anjooran with his four sons! The other family is led by the iron-lady Achamma. How the youngest scions of each family fall in love and unite the families is told in a hilarious manner with some stand-out performances. The movie also features a hit melody – Pookalam vannu Pookalam!

Ramabhadran his friend Mayin Kutty and Malu are all part of the same college campus; Ramabhadran insults Malu at every given opportunity and his family is also responsible for thwarting a marriage proposal that had come her way. Achamma hatches a plot where she instructs Malu to make Ramabhadran fall in love with her and then destroy the unity of Ramabhadran and his brothers.

Inevitably as it happens the charade turns real and Malu and Ramabhadran are deeply madly in love!

Ramabhadran has to convince his brothers and father to accept his love for Malu. Then a truth is discovered that Swaminathan played by Innocent is actually married to Kochammini dance-teacher and has children all living far away in another village. He leads a dual-identity. As Ramabhadran threatens to tell the truth some real mad-cap comedy plays on-screen. The sequences are seen to believed! Anjooran confronts Swaminathan – Swaminathan says that he is not Swaminathan – Anjooran says slap me to prove that! In utter confusion Swaminathan slaps another brother and says – I am not Swami but you are old enough to be my father – so how can I slap you!

He rushes home before his father and brothers can reach! In utter disbelief they look at Swami getting ready for an oil-bath at home! The expressions on the faces of everyone make the audience laugh and root for Swami! Then Kochammini comes with her children and threatens to commit suicide unless she is not recognised and accepted by the family! Finally the problem is resolved!

On a parallel track Achamma arranges for Malu to be married to someone else. How the marriage plans are thwarted by the motley group led by Ramabhadran, Mayin Kutty and the other brothers is hilariously portrayed! Finally after epic confusion involving the groom being replaced and the catch-n-catch game with the mangalsutra/thali (ceremonial wedding necklace) – chaos is resolved and Ramabhadran and Malu are pronounced man and wife!

Things end on a happy note as Anjooran relaxes his ‘no-woman in my home policy’ and everything ends on a positive and fun-filled note!

Jagadish’s brilliant comic-timing and idiotic antics deserve special praise as well! There’s a sequence where the dogs at Malu’s home bark and indicate his hiding place. He calmly says he is Malu’s friend and asks for study-notes! The dead-pan expression is simply superb! His race to get a taxi for everyone to leave Swaminathan’s house is another hit scene!

The movie was remade as Hulchul in Hindi with Paresh Rawal in Innocent’s role and Akshay Khanna and Kareena Kapoor in the lead! The movie was a hit! The movie was a success in Kannada and Telugu as well. Surprisingly the movie has not been remade in Tamil yet!

Do not miss this comic gem! I can watch this one and In Harihar Nagar another gem from Siddique-Lal a million times and still not get bored!

F for Francis – Saint Francis – Francis Punyalan!

The movie is the tale of a simple rice trader played by Mammootty who is quite rich; but lacks sophisitcation or a great education. A chance encounter of his with that of Punyalan St. Francis of Assisi and how his life changes is what is depicted in the story.

OK this is a small trick but then I did not want to take a sub-par movie and frame a review for it just for the sake of the Blogging Challenge. Plus I don’t know how frequent my writing will be post Feb-17 – so any bit of spare time with access to the internet will result in something being written and published for the Blogging Challenge.

The movie in question is actually a sweet little gem titled ‘Pranchiyettan and the Saint’ starring Mammooty.

The movie is the tale of a simple rice trader played by Mammootty who is quite rich; but lacks sophisitcation or a great education. A chance encounter of his with that of Punyalan St. Francis of Assisi and how his life changes is what is depicted in the story. 

Co-starring Jagadhi Sreekumar, Priya Mani, Tini Tom, Khushboo and others; this is a feel-good movie that reiterates the simple logic that ‘sincerity of purpose and a noble heart’ willhelp things get done. It is not one’s wealth, education or titles and awards that matter; but the desire and willingness to help others that counts.

Jagadhi is hired as a tutor to help coach a boy in clearing his Board Exams. The sequences involving Jagadhi and the boy are hilarious!

Innocent who plays Vasu Menon has some of the best lines in the movie and his interactions with Mammootty and the quest for praise and awards is really well done. There is a humourous take on an Oscar-winner shamelessly satirising Resul Pookutty’s achievements.

The movie was scripted, produced and directed by Ranjit and released in 2010. The movie was a phenomenal success and was a clean and hilarious look at modern society and the idiosyncrasies of its people!